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What’s the Story?
A bite-sized companion to Brain Pickings by Maria Popova.
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Every barometer by which female worth is measured—from the superficial to the life-altering, the appreciative to the punitive—has long been calibrated to “dude,” whether or not those measurements are actually being taken by dudes.

Intelligent op-ed by The New Republic’s Rebecca Traister on why women are tired of being judged by the Esquire metric.

To illustrate the point, step into the cultural time machine and fly back to Esquire’s appallingly sexist 1949 attractiveness questionnaire, a caricature of the more subtle ways in which we still evaluate women today.

Here are the words that men were most likely to recognize over women:

  • codec (88, 48)
  • solenoid (87, 54)
  • golem (89, 56)
  • mach (93, 63)
  • humvee (88, 58)
  • claymore (87, 58)
  • scimitar (86, 58)
  • kevlar (93, 65)
  • paladin (93, 66)
  • bolshevism (85, 60)
  • biped (86, 61)
  • dreadnought (90, 66)

And here are the words that women were most likely to know over men:

  • taffeta (48, 87)
  • tresses (61, 93)
  • bottlebrush (58, 89)
  • flouncy (55, 86)
  • mascarpone (60, 90)
  • decoupage (56, 86)
  • progesterone (63, 92)
  • wisteria (61, 89)
  • taupe (66, 93)
  • flouncing (67, 94)
  • peony (70, 96)
  • bodice (71, 96)
Linguistics researchers explore the gender gap in our vocabulary. For a pause-giving counterpart, see Leonard Shlain on how the invention of the alphabet usurped female power in society.
Several weeks ago … Abramson discovered that her pay and her pension benefits as both executive editor and, before that, as managing editor were considerably less than the pay and pension benefits of Bill Keller, the male editor whom she replaced in both jobs. “She confronted the top brass,” one close associate said, and this may have fed into the management’s narrative that she was “pushy,” a characterization that, for many, has an inescapably gendered aspect.

51 years after the Equal Pay Act, The New York Times fires executive editor Jill Abramson for requesting equal pay compared to her male counterparts – tragic evidence of society’s invisible yet palpable biases.

Meanwhile, New York Magazine reports that Abramson was also axed for opposing one of the greatest travesties of journalism today, native advertising:

Although both have denied it in public, Thompson and Abramson’s relationship spiraled down over the past year, as Thompson pressed ahead with plans to move the Times into native advertising. “She was morally opposed to that,” an executive said. “She told me it would not happen on her watch.”

Visionary vintage children’s book celebrates gender equality, ethnic diversity, and space exploration with a black female astronaut two decades before that became a reality

Visionary vintage children’s book celebrates gender equality, ethnic diversity, and space exploration with a black female astronaut two decades before that became a reality

In the 1970s, Ms. Magazine – which built “social media” for women’s rights decades before Facebook and Twitter – used to have a section titled “No Comment,” where readers submitted the most blatant examples of sexism in the media. Now, Mitch O'Connell has culled the best (meaning worst) of these from 50 issues of Ms. 

Meanwhile, nearly a century earlier, Nellie Bly brilliantly told one of these pigheads off in the local paper.

Also see this collection of Ms. letters featuring kids’ disarming thoughts on gender politics.  

(HT Coudal)

Krauss’s most important message wasn’t an overt one. In fact, what makes her books especially exceptional is that she frequently featured female protagonists — far from the norm at the time and, sadly, still an exception half a century later when only 31% of books feature female lead characters. It may seem like a simple thing — the seemingly benign choice of hero or heroine in a children’s story — but to offer a quietly dissenting alternative to a fragment of hegemonic culture is no small gift. Krauss was a generous gift-giver.
I Can Fly by Ruth Krauss – a vintage treasure
Absolutely fantastic and culturally necessary read on our hidden biases, to which even the best-intentioned of us are susceptible.

Absolutely fantastic and culturally necessary read on our hidden biases, to which even the best-intentioned of us are susceptible.

Most of us — men and women — will never consciously experience the undercurrent of sexism that runs through our world. Those who travel with the current will always feel they are good swimmers; those who swim against the current may never realize they are better swimmers than they imagine
The Hidden Brain – fascinating read on how ocean currents explain our unconscious social biases. 
New report from the Women’s Media Center reveals the appalling gender gap in media. Full infographic here.
To think that we haven’t come that long a way since 1970 is culturally embarrassing.
For a heartening antidote, see the story of Nellie Bly,...

New report from the Women’s Media Center reveals the appalling gender gap in media. Full infographic here

To think that we haven’t come that long a way since 1970 is culturally embarrassing. 

For a heartening antidote, see the story of Nellie Bly, pioneering Victorian female journalist. 

Jane Dorn
Let Books Be Books – a heartening and culturally necessary campaign asking publishers to stop the gender-priming by taking the “for boys” and “for girls” labels off of children’s books.
For some brilliant and prescient meta-commentary on the cultural...

Let Books Be Books – a heartening and culturally necessary campaign asking publishers to stop the gender-priming by taking the “for boys” and “for girls” labels off of children’s books.

For some brilliant and prescient meta-commentary on the cultural problem in question, see a New Yorker cartoonist’s vintage gem I’m Glad I’m A Boy! I’m Glad I’m a Girl!

The introduction of the written word, and then the alphabet, into the social intercourse of humans initiated a fundamental change in the way newly literate cultures understood their reality. It was this dramatic change in mindset … that was primarily responsible for fostering patriarchy.
February 19, 1963: Betty Friedan publishes The Feminine Mystique, a turning point in the conversation on gender politics. Thank you for everything, Betty.

February 19, 1963: Betty Friedan publishes The Feminine Mystique, a turning point in the conversation on gender politics. Thank you for everything, Betty.

Analyzing themes and emotional content, the researchers found that men were more likely to report having nightmares about natural disasters (floods, earthquakes, fires, volcanoes), chase or pursuit, and insects. Women’s nightmare records more often featured interpersonal conflicts, such as an argument with a spouse and more frequently involved feelings of humiliation, frustration, or inadequacy.

Why might this be? My first thought was that, while women may not mind admitting to researchers that an ex-boyfriend still haunts them, men were only reporting the more cataclysmic plots. (Tsunami!) On the other hand, “dream content is tied into waking concerns,” [researcher Antonio] Zadra explained over the phone. “For women, on average, social or interpersonal dimensions may be more emotionally salient.” As Zadra points out, an interpersonal focus also shows up in women’s erotic reveries. Whereas men often dream of sexual partners who don’t exist in real life, female sleepers are likelier to fantasize about specific acquaintances: spouses, former flames, co-workers, friends.

The toys [are] far more color coded than four decades ago. Back then bikes, trucks, airplanes and even dolls sported a wide range of bright colors—red, green, yellow as well as shades of blue and rose. The pink/lavender vs. black/dark navy dichotomy is a division that, among other things, probably helps sales. Teach children and parents the color-code and you double your market. What little brother will want to settle for his big sister’s pink tricycle?

Pause-giving read on marketing at its most culturally toxic: color-coding toys by gender. For a visceral case study, see The Pink & Blue Projects.

Previously, the LEGO gender gap.